This post originally appeared at iowareview.org
We announced the winners and runners-up of our 2014 contest last September (read the announcement); their work appeared in our Spring 2015 issue. Our next veterans’ writing contest will take place in spring 2016. Phil Klay, winner of the 2014 National Book Award, will serve as the contest’s judge.
This creative writing contest for U.S. military veterans and active duty personnel is hosted by The Iowa Review and made possible by a gift from the family of Jeff Sharlet (1942–69), a Vietnam veteran and antiwar writer and activist. The contest is open to veterans and active duty personnel writing in any genre and about any subject matter.
Judge: Phil Klay
Prizes: First place: $1,000 plus publication in the Spring 2017 issue of The Iowa Review.Second place: $750. Three runners-up: $500 each.
Submit between May 1 and June 1, 2016. No entry fee.
2016 Contest Rules
- Submit a manuscript in any genre (poetry, fiction, creative nonfiction) of up to 20 pages. Prose submissions must be double-spaced. Work must be previously unpublished. Simultaneous submissions are fine, assuming you inform us of acceptance elsewhere.
- The judge will select winners from a group of finalists chosen by Iowa Review editors. All manuscripts, whether selected as finalists or not, are considered for publication.
- To submit online, please visit https://iowareview.submittable.com/submit beginning May 1, 2016, and follow the instructions.
- To submit via mail, please follow these guidelines:
- Manuscripts must include a cover page listing your name, address, e-mail address and/or telephone number, and the title of each work, but your name should not appear on the manuscript itself.
- If you would like a yearlong subscription to the magazine for the discounted rate of $10, please enclose a check or money order for $10. (Please note that while we appreciate all new subscribers, purchasing a subscription will not increase your chances of winning the contest.)
- Label your envelope as a contest entry and note its genre. For example: “Veterans’ Contest: Fiction.” One entry per envelope. (Note: multiple poems or prose pieces can comprise a single entry if the total number of pages does not exceed 20. For instance, you may submit two short stories of ten pages each in a single envelope, with a single entry fee.)
- Enclose a SASE (self-addressed, stamped envelope) for final word on your work. Manuscripts will not be returned.
- Postmark submissions by June 1, 2016, and mail to the address below.
The Iowa Review
The University of Iowa
Iowa City, IA 52242
Read sample submissions
- Poetry: Hugh Martin’s “Memorial Day,” Brock Michael Jones’s “Hope“
- Fiction: Terry Hertzler’s “Legacy,” Philip Tate’s “Black Chevy,” O.A. Lindsey’s “Evie M.“
These were named winner or runners-up in our 2012 Jeff Sharlet Memorial Award for Veterans contest and were published in our Spring 2013 issue. For more veterans’ writing, as well as resources for veteran writers, please visit our Veterans’ Writing Gallery.
Eligibility and Conflicts of Interest
Current students, faculty, or staff of the University of Iowa are not eligible to enter the contest.
Work is ineligible to win our contest if it is slated for publication before April 2017, whether in another magazine or as part of a book, or if it has been named winner or runner-up in any other contest. Please withdraw work from our contest immediately if these conditions apply.
The judge has been instructed not to award the prize to entrants with whom he has had a personal or professional relationship. Despite reading the entries with author names removed, the judge may sometimes be able to guess the identity of the entrant. Even if he can’t tell during the judging process, he has the right to change his decision if it turns out that the entrant is someone with whom there is any appearance of conflict of interest. Therefore, we advise entrants not to enter the contest if the judge is someone they know personally or have worked with professionally.
The Jeff Sharlet Memorial Award for Veterans is supported by a 2016 Art Works Grant from the National Endowment for the Arts.